Showing posts with label education. Show all posts
Showing posts with label education. Show all posts

Tuesday, July 28, 2026

Discussing Reality in the Classroom: A Values-Based Model for Grades 5–6

 Many of us as educators constantly reflect on how to discuss complex social, political, and national realities with elementary school students.

I have written in the past about facilitating dialogue and navigating complex topics in the classroom. This time, I want to introduce a simple model I began implementing this week. It is built entirely on the children's own knowledge and questions, operating within a dedicated space for current events.

Current events are the actions, processes, and events unfolding around us that directly or indirectly impact our lives.

Upper elementary students (grades 5–6) are deeply curious about these ongoing processes. However, they do not always possess the full picture or have access to a structured space where they can break them down. Engaging with current affairs in the classroom allows us to translate complex developments into concepts and language students can relate to, helping them make sense of the world through two organizing axes: multiple perspectives and core values.

(Personally, I like to connect these discussions to a broader framework of national and international relations—though this is entirely optional; you can easily keep the dialogue focused purely on the concrete issue itself).

The Power of Student-Led Topics

The main advantage of discussing student-raised issues is their sheer diversity. As shown in the board layout below, vastly different topics sit side by side—global warming, the return of hostages, the Russia-Ukraine war, and more.



Lesson Structure: Step-by-Step

  1. Elicit Current Events: Ask the class to share what they have heard recently in the news, from their parents, or on social media.

  2. Map it on the Board: Write down a list. Making these topics visible and reflecting them back to the class is essential for the lesson itself, and creates a visual record that can be photographed for future reference.

  3. Identify Core Values: Ask the students: "What values are at play in the issue or event you raised?"

  4. Examine Dilemmas: Ask: "What tensions or ethical dilemmas exist here?"

  5. Connect to Broader Knowledge: Link the topic to prior knowledge, previous class discussions, historical processes, or international relations—tailored to your class's readiness, depth, and learning objectives beyond current affairs.

Monday, June 29, 2026

Resilience is the Opposite of Conformism

 



Published in "Tevel Spirit" in Hebrew, on 10.2.26

Sharon Michaeli-Ramon leads the School for Nature, Environment and Society in Tel Aviv–Jaffa. She develops pedagogy and guidance in the areas of learning in real-world spaces, literacy and critical thinking, activism and education for action, and movement-based learning. She is a Lieutenant Colonel (res.) and an expert in emergency situations and establishing educational frameworks in crisis zones. She is a graduate of the first cohort of the Tevel Program.

"Resilience, at its origin, is a concept from ecology — concerned with habitats — and from there it was borrowed into the social world. In my view, resilience is a combination of flexibility, a clear internal backbone, and a narrative, which is the organizing thread that holds everything together. This structure holds true at the individual level as well as at the level of a group or organization. To these three components, two additional important parameters are added: durability and the ability to persevere through difficulty."

The Three Components of Resilience

Resilience does not exist only in emergencies and trauma. It is a constant state that reflects a person's ability to function in the face of challenge, change, and uncertainty. If we want to educate and grow teams and students with resilience, all the components mentioned above are required within every type of engagement — social, emotional, and academic. Even when working on a complex text, I need to activate mechanisms of self-criticism, perseverance, and literacy comprehension, and then create a dialogue between the learner and the text.

What is a narrative? Every person has a personal narrative, conscious or latent. A narrative also exists at the group level, according to its purpose. In a classroom, for example, the teacher builds the narrative together with the students: who we are, what we love and want, what kind of class we are. For example — we are a class that loves sports, we are curious, we help each other. When there is a class narrative, it empowers and provides a sense of uniqueness. This is our class backbone.

A narrative does not need to be built in opposition to another person or group, but rather from within what I want to be. When an "oppositional" narrative is built, resilience becomes fragile.

The process of building resilience is not unique to advisory periods and cannot be addressed only during special events, peak days, or moments of crisis. Resilience-building processes must be part of the school's routine. Resilience exists at all levels: relationships among students, among staff members, between teacher and students, with the community and families — and even gender dynamics carry weight here. If any one of these levels is ignored, we fail the goal. Everything is connected to everything.

The Ability to Be Both/And

Resilience, as noted, is connected to an internal backbone — knowing what I want and making my voice heard. For example, in my classroom I speak in the feminine grammatical form. It is interesting to note that girls actually take longer to adapt to these language changes than boys do. In general, society — across its different segments — sends messages, often unconsciously, that can suppress girls and lead them toward self-abandonment. They are accustomed to the fact that they are not always listened to. For instance, in a math lesson where girls don't always raise their hands, I as a teacher can decide to alternate giving the floor to a boy and a girl. Or if a boy interrupts a girl while she's speaking, I can stop it. Not to position girls in a vulnerable place, but to raise awareness that everyone has a voice, that the treatment is equal. I teach that there is no difference between boys and girls, and that differences between people do not define them — they are merely part of who they are.

The ability to be "both/and" is part of social resilience. The world today is highly dichotomous — everything is black or white, right or wrong. In such a state, the ability to find the middle ground is nearly zero. But when I have a complex and non-absolute identity (a woman, an Israeli, a leftist, a leader, a Lieutenant Colonel, an athlete), I am a stronger person.

Strengthening Parents

Over the past decade, we have seen a decline in the ability of the family unit to be a meaningful space in all its aspects for children. This happens due to livelihood pressures, leisure culture, the social and security situation in Israel, and more. The state, welfare services, and schools are trying to fill this gap. But is it the school's role to build children's resilience? Does a school — which already responds to a wide range of students' needs — truly have the capacity to educate them in the face of the home's power, which, even if it holds challenges, will always be the essential foundation for children? I am not sure the answer is yes. In my view, it is more important to strengthen families than to continue "outsourcing." Parents need to be given tools so they can take responsibility for their children's resilience.

Israel is a strong country, a welfare state, and within that, it is a country where the third sector fills in the gaps where needed. There are a million and a half people in Israel living on the social-Israeli periphery, below the poverty line; in addition, there is the Arab community, and families of high socioeconomic status who are not home for most of the day, and more. The work of building children's resilience must be a subject of public conversation — not the exclusive domain of schools alone, or of private actors alone. This topic certainly deserves deeper discussion, though the scope of this interview allows only this much.

Teachers' Resilience is Also Eroding

The Israeli education system does not invest enough in cultivating individuals who can cope with challenges, including learning boundaries, the ability to persevere, critical thinking, decision-making, and non-conformism. Resilience is, in fact, the opposite of conformism. It is the ability to express an opinion, to articulate disagreement in a rational way.

The Israeli education system has been in a dramatic crisis for seven to eight years, and regrettably, it does not appear it will emerge from the current crisis stronger. For there to be systemic resilience, all parts of the system must be strengthened. Yet in the current crisis, teachers' resilience is being eroded — their ability to meet their personal and family needs has been damaged. The result could be a mass exodus of teachers. There are ways to raise resilience through intensive teamwork, but flexibility is also required from the environment, the community, and the local authority, all of which must provide support.

The staffing structure of educational teams, the social status of the profession, and above all the narrative that we, as female educators, will shape, are the best chance for creating change in the system.

Creating Certainty in a State of Uncertainty

In my past, I established schools and kindergartens in refugee camps or in neighborhoods destroyed by disasters. I had to build a routine for children within the chaos and create certainty in a state of uncertainty.

It begins with identifying a team and starting training. In practice, a school can exist under a tree, in a tent, or in a building. A school is really the sum of the actions that take place — it doesn't matter for how many hours or whether it operates in shifts. This requires flexibility and depends on the needs of the place, the psychosocial needs, and also the wellbeing of parents.

When I provide a response for children in disaster zones (including emergencies), it frees up the parents. In a certain sense, the parents here are essentially a "captive audience," and this fact allows us to be a healing space for them as well. They come to school anyway, or are invited to activities with their child, and there is real potential for communication with them. We can, for example, pass along relevant and focused information and expand the resilience to the level of the whole community.

Key Insights:

  1. Resilience includes three components: flexibility, backbone, and narrative. These are joined by two parameters — the ability to persevere through difficulty and the ability to function amid change and uncertainty. A strong and stable backbone does not change in the face of crisis but displays great flexibility under unexpected circumstances. It is important that the narrative be positive, provide a sense of belonging and uniqueness, and not be oppositional — that is, the narrative should be based on "who I am" and "who I want to be," not defined against someone or another group.

  2. The central purpose of school is learning. Resilience is part of the school's educational work and is also built through pedagogical engagement with meaningful academic challenges. The two additional goals of school — developing social understanding and capabilities, and emotional development — inherently contain built-in resilience.

  3. Resilience in school is present at every level — in the academic and social dimension, the personal and the classroom, toward students and staff alike, on routine days and in times of crisis.

  4. Resilience is in fact the opposite of conformism. It is connected to one's ability to form a position, to express one's voice, to agree and to disagree. Therefore, resilience is also linked to gender dimensions and requires us to empower a vision of equality — one in which differences between people do not define them but are simply part of who they are. It encourages "both/and" thinking and grants legitimacy to identity and social complexity.

  5. School as a resilience center — the school must nurture resilience, but it should not replace the family unit. The school can amplify the capacities of parents and the wider community, while at the same time the resilience of the school and its teachers rests, in part, on the flexibility and support of the environment and community.


Thursday, August 10, 2017

Using Movies for Learning





Children and people enjoy watching a movie or a series because it feels like entering a different visual world, which is understandable. All in all, movies/series enable us to identify with a character, identifying with values, with acts/actions, and also the reverse emotional range – disliking a character or it's values.
In addition, we all know that children watch a lot of series and movies on a daily basis – did you ever wonder what do they take from them? Do they detect the nonsense? The sarcasm? The subtext or the emotional depths?
We can teach the children to observe and deepen their understanding while using the movie as a platform for opening many issues, exercise and exposure.



Why?
Built and structured content
Focused
Interesting
Help as a supportive to knowledge
Dynamic
Producing emotions
The ability to form associations



How?
Using series/ documentary series and fiction movies - using guided viewing:
Topics:
Language tasks – character description, information miming
Learning about an historical period
Geography
Religion – learning about different religious, discussion about religious issues
Sports
Emotional and social analysis- discussing a character layers, social situations, conflicts (personal and inter-personal), puberty, break-ups etc.
Nature and the environment
Biology
Economics
Law, ethics and morals etc.

An example – watching the movie "Clash of the Titans" – 6th to 12th grade
Objectives:
1. Getting to know figures from the Greek Mythology (History and Mythology)
2. Improving viewing understanding and data mining (Language and viewing skills)
3. Writing a phrase about a beloved character (language)
4. A discussion about conflicts (emotional)

Viewing task:
1. Trace all the mythological/ruling/philosophical characters in the movie
2. Line down all the conflicts in the movie – personal and inter-personal
3. List all the myths described in the movie.
4. Sum-up the information about a beloved character.

I'll be happy to answer any question, and will love hearing from you, Sharon


All right reserve to Sharon Michaeli- Ramon ©

Wednesday, November 30, 2016

How to develop creativity

Creativity,
Isn't it one of the most common words that people are using regarding education and business development? we really want to develop it since childhood, but research shows that it decreases from the point we are finishing pre school.

some will say that we need to create an environment that enable it, but it's too difficult to create it at home, school, afternoon classes etc. all together.
we can develop creativity in different ways, and I want to introduce you to some effective tasks and games we are doing on a daily basis in my class, and also in the teams I'm working with (when we are dealing with challenges and new designs).

You can use all those elements with any group/ class, define the difficulty levels, and most important- they are easy to use, and can take between 7 minutes to an hour.

1. Riddles, logic quizzes, logic missions, challenge tasks:
The element needed is thinking and creating multiple choices of solution while coping with the understanding that mistakes and trial and error are part of learning.
you can ask logic question from age 4- example- :why do we pound a nail on the wall?

I love giving an assignment that require an imagination and coping uncertainty, for example (from my 6th grade class)-
in groups of 4-
you are a group of archaeologists. the year is 1910 (no internet, no mega information libraries on line...)
you are working on ancient site in X
you have experience in the middle east/ South America/ Africa
Suddenly you see a written language you've never seen...
what will you do?

The group have 45 minutes for raising ideas and possibilities, then 45 minutes looking for answers on line, and then a class on the topic with me (you can read on the uncertainty model here)

2. Completion stories:
 when we teach language skills we teach how to write a story (structure); I use movies, inventing stories I tell, video clips, pictures and more to start an idea and let the children continue the idea, write it and develop a conversation on it.

3. Mazes, tracks and courses- building them for children and letting children build their own courses is an practical challenge. you can use every thing you can climb on, pass trough and underneath.
* you can use a rope or wool and create "spider net" in the room; ask the children to walk around the room while avoiding the net.

4. Object what?
give children / adults a practical object and ask them all the uses you can get from it- practical and imaginary.

5. Association games:
association games are amazing for improvement of response speed, creating contexts and increasing thinking speed.
you can play free association.
you can play association chain: every word lead to another that connected to it/ opposite/ parallel.
you can play association of a single term/ word/ concept:love/ food/ happiness etc.
you can play association regarding a question or a riddle that have up to 2 words answer.


I'm here for every question and every note, Sharon.


 All the posts and materials belongs to Sharon Michaeli- Ramon ©

The model of coping with uncertainty while solving problems, challenges and high volume tasks

I've decided to create a method of uncertainty in my class after I've noticed that children (and adults) are having all kind of barriers when they need to cope a challenge- difficult article, new question, new area, thinking missions, solving a problem and more.

I've decided to develop a model to help them cope, and I'm using it mainly in language classes (you can read on it here) and in a weekly lesson of solving a challenges, that is connected to the syllabus, but it's wider and demand different way of thinking (you can read about it here)

The model is build from 5 steps:

1. Excepting the fact that I (the student) will not understand some of the reading material (or task)-         and it's ok.
2.  brain storming all the ideas related to the question/ task.
     Read & summarize as we learned- high light difficult words/ expression, high light main sentence      in a paragraph and summarize each paragraph/ idea.
3. Trying in a group to build a logic flow of the article/ story/ task/ question- out of the box thinking, giving associations and answers (we work on the concept that assumptions in this stage can't be wrong).
3a. sometimes I give access after stage 3 to use technologies and the net.
4. creating data base of all the ideas, answers and information on the board/ app/ other and making sense and order.
5. Giving the holistic order, Giving the answer/s and all the information needed.
    Dialog on the subject.






All the posts and materials belongs to Sharon Michaeli- Ramon ©

Wednesday, June 29, 2016

Four Activities for Starting a Relaxed Morning in the Class and Lowering Level of Stress and Pressure

Some classes need to go into a "silent learning zone", a kind of silence and tranquility that allows concentration, listening, work, collaboration and patience.
Schools are full of stress factors – social, educational, emotional baggage each child carries with him/her, thoughts, fears etc. The latest security issues are also not easy and add more stress to the kids, and even serve as a deflection on a daily basis.

The educational-organizational-personal discourses make a lot of use in tools such as Meditation, Mind-folds, Guided Imaginations and others in order to succeed in being "here and now" in our overloaded world, and kids very much enjoy playing or being concentrated in various activities that allow them to drift away on one side from all the stress, and immediately concentrate afterwards on the other hand.

Here are four simple activities that can be done with your class. There is no need to be anxious or worried if during the first few times there will be some jiggles and some embarrassment:

1. While sitting on chairs or lying on the floor on their backs – slow breaths with eyes shut, inhaling air and ballooning the belly, exhaling the air for 3-4 seconds. In each exhale the body sinks more and more to the chair/floor; there is no stress in the shoulder, pelvis, hands, neck and head. After 507 minutes the kids can open their eyes and open the day.

2. Every child sits in front of an A4 empty page, while pleasant music is played in the background (classical, acoustic guitars, melody, world music) and the kids draw the music (Take a look in the "seeing music" post). When the music ends the children place the page in their backpacks and continue to the next assignment.
*You can have a conversation of the drawings, how the music made them feel, thoughts etc.

3. Stand in a circle, and throw a ball while saying words that express fear/stress/anxiety/anger etc. Once each child has spoken, ask the children to say a trait or a personal ability to cope with different issues while throwing the ball to a friend. The friend in turn must remember what were the traits named before the ball was thrown to him/her, and after a sequence of 5-6 traits you start over.
The goal is to create a positive chain that shows the power the class and the kids have.
You can also play this game with naming good traits or behaviors in the class, such as listening, helping each other etc.

4. There are games in which the power of the group is of great importance, when after the game has ended you can discuss and analyze the subject projecting on any relevant issue, such as to our family, or to any specific personal or educational coping mechanism.

You can turn the method elected to a daily routine for a certain amount of time, thus entering the kids to a better zone of learning and listening for the rest of the day.   





All the posts and materials belongs to Sharon Michaeli- Ramon ©

Tuesday, June 7, 2016

Game of Flags - A Social Mirror and a Social and Personal Working Tool

I believe in the power of a group to create a change, and in the power of the game. This year I am educating 5th graders for the first time, and I have met the pupils for the first time on September. In order to reach different goals I have placed for us, I am using various strategies, and currently I would like to present the Game of Flags, which is a strategic-physical-social game, from which you can learn a lot on the class/group, and work on various issues with them.

Game of Flags is an intensive game in which two groups play against each other in order to obtain the opponent's group flag. 

You divide a court to two parts, one for each group, and place 2 different flags in each of its sides. Every team gathers and decides what will be her strategy, how to get to the opponents' flag, who is in defense and who is in offence, who will protect the flag, who will rescue team-mates etc.
The middle of the playground is marked, and you can captive any of the other group members that enter your side. The "prisoner" must wait where he was caught until he is rescued by someone from his group by a "high-five".
The game is a field for many interactions, and I, as the educator, stands on the side and observe. This is one game in which I only observe the teams, and I don't take an active part in it. Some of the things I take notes of are:

1/ the coherence of the group/class
2/ the way each group plans strategically
3/ the personal character of each pupil

4/ the way the pupils plan, their courage, patience etc. For example: pupil who try to save "captives" even at the risk of being caught themselves; pupils who will always be careful and stay at their group's territory, ambushing an opponent member when they enter this territory; a pupil who was caught but cheats and runs back into the court (and the reaction of their friends)  etc.

5/It is supposed to be a fun time of the group/class. Are they having fun? Are there any frictions? Does anyone prefer not to participate?

Through the game I wish to develop : A class's coherence and cooperation; girls and boys cooperation; patience; a joint strategic planning and not just the emergence of the natural "sporty leaders"; personal abilities such as patience, thinking and planning etc.; a reflection ability and feedback – both personal and in the group; elevating class value.

Work Stages:
You go out with the class to play the game a few times, when I keep changing the group composition, in order to balance the boys/girls numbers, balance athletic  kids with non-athletic ones etc, and also in order to gently break pre-existing sub-groups.

Sunday, June 5, 2016

Seeing rhythm and music

As part of the work I'm doing with my class I try to stimulate all the senses, and to interweave different kinds of experiences and study methods - Both from the notion that every child has a different way of learning, and from knowing that different experiences (thinking, moving, imagining etc.) contribute to the cognitive-physical-emotional development.
The different experiences are part of the study material, all intended and contributing to my main goal and labor as a teacher - building and reinforcing the children's self-esteem.

Every other week or two we hold a rhythm session in class - drumming, playing by a certain rhythm, playing, dancing etc. 
Here, for example, is a sequence of four sessions we did in class:
Session no. 1 - 
We opened with this amazing video I found on alaxon.co.il 
After watching the video in which you see how music presents itself in different materials we discussed various ways to draw music. Is it possible? I asked the children how would  they draw different kinds of music. 
I played a rather melodic and calm song, and the children drew the music, The diversity was immense: musical notes, letters, pictures, colors, textures, thoughts and shapes.
We came to the conclusion that music can be drawn in many different ways and that it involves not only listening, but feeling, movement, thought, criticism etc.

Session no. 2 - 
I divided the class to several groups of three, and each threesome was guided to show me some sort of rhythm.
The originality blew me away! 
Some took a paper, placed it on a table, then drummed on the table causing the paper to bounce according to the rhythm. Others used sticks to play. Another group waved their sweatshirts in the air, creating sound and air-movement.

Session no. 3 - 
I opened with this video  https://www.youtube.com/watch?v=LlvUepMa31o
And then we worked with play dough and hand-colors. Each child received a big paper, and they created whatever they felt like according to what the music stimulated in them. 
Later on, each child presented his or her creation to the class with movement, sound, or

Session no. 4-
A mother arrived to the class and gave a lecture on Kandinsky and "music in the arts".

Working with music and combining it with unconventional demands encourages thinking, criticism, openness, curiosity, interest and lots of fun.
The children enjoy creating, playing, thinking, and collaborating. The challenges increase the experience and enhance it. Additional subjects also arise, such as musical instruments, different kinds of art, physics, science, creativity etc. 

Personally, I enjoy getting to know the kids in unconventional ways, not just by strictly teaching the formal materials, thus, enabling each and every one of them to express different and new parts of themselves.



All the posts and materials belongs to Sharon Michaeli- Ramon ©